Another example of painting by both Color Value and Color Scheme … Color Scheme: Analogous with Split Complements (Yellow-Green, Yellow, Yellow-Orange plus Red-Violet and Blue-Violet) Limited Palette: Aureolin, Cadmium Lemon, Cadmium Red Light, Permanent Alizarin, French Ultramarine Blue and Manganese Blue. Sketchbook Drawing: Family Treasures No. 47, Klutz Juggling Cubes – drawn first with fountain …
Painting by color value does not always need to result in high contrast paintings. Though there are extreme darks and a few strong lights, the overall feeling of the painting is more of a mid range contrast of values. The leaves don’t contrast strongly against the background. When violets are part of the adjacent colors, …
My pressed clipping from a Red Tip Photinia long ago lost it’s brilliant color. The last couple of days I have painted samples of Color Value Painting, choosing hue according to its intrinsic value at full saturation rather than choosing hue according to the color of the object I am painting. I want to show …
Continuing with example of painting by color value rather than color hue … After trying a few color value paintings, you might notice that paintings created by color value often fall into standard color schemes. Though it may appear that painting by color value is too limited, I find the possibilities to be infinite and …
To read the history of this Craftsman Electric Hair Clipper, read today’s post on Third Time Around. One method of painting by color value is to use full intensity colors, choosing the hue based on its intrinsic value at full intensity. This is not a perfect color value scale. The blue and the green were …
Kale Caesar Salad is on the menu tonight! Text adds wonderful texture and variety to my sketchbook drawings. The finer text would bleed if I had included it with the initial drawing. When I add fine lines, such as text, after the watercolor washes, it also has a tendency to bleed if I don’t use …